True Romance (1993)


"Amid the chaos of that day, when all I could hear was the thunder of gunshots, and all I could smell was the violence in the air, I look back and am amazed that my thoughts were so clear and true, that three words went through my mind endlessly, repeating themselves like a broken record: you're so cool, you're so cool, you're so cool. And sometimes Clarence asks me what I would have done if he had died, if that bullet had been two inches more to the left. To this, I always smile, as if I'm not going to satisfy him with a response. But I always do. I tell him of how I would want to die, but that the anguish and the want of death would fade like the stars at dawn, and that things would be much as they are now. Perhaps. Except maybe I wouldn't have named our son Elvis."

Academy Awards 2014


BEST SUPPORTING ACTOR:

Jared Leto - Dallas Buyers Club - WINNER

BEST SUPPORTING ACTRESS:

Lupita Nyong'o - 12 Years a Slave - WINNER

BEST DIRECTOR:

Alfonso Cuaron - Gravity - WINNER

BEST COSTUME DESIGN

The Great Gatsby - WINNER

BEST MAKE-UP & HAIRSTYLING:

Dallas Buyers Club - WINNER

BEST SHORT FILM (ANIMATED):

Mr Hublot - WINNER

BEST ANIMATED FEATURE FILM:

Frozen - WINNER

BEST SHORT FILM (LIVE ACTION):

Helium - WINNER

BEST DOCUMENTARY SHORT SUBJECT:

The Lady in Number 6: Music Saved My Life - WINNER

BEST DOCUMENTARY FEATURE:

20 Feet from Stardom - WINNER

BEST FOREIGN LANGUAGE FILM:

The Great Beauty (Italy) - WINNER

BEST SOUND MIXING:

Gravity - WINNER

BEST SOUND EDITING:

Gravity - WINNER

BEST VISUAL EFFECTS:

Gravity - WINNER

BEST CINEMATOGRAPHY

Gravity - WINNER

BEST FILM EDITING:

Gravity - WINNER

BEST PRODUCTION DESIGN:

The Great Gatsby - WINNER

BEST ORIGINAL SCORE:

Gravity - WINNER

BEST ORIGINAL SONG:

Let It Go - Frozen - WINNER

BEST ADAPTED SCREENPLAY:

John Ridley - 12 Years a Slave - WINNER

BEST ORIGINAL SCREENPLAY:

Spike Jonze - Her - WINNER



No real surprises but a lot of well deserved wins (particularly for Spike Jonze for Her, a film which frankly deserved far more nominations than it received). Based on this years nominations though, it was never going to be a disaster like some years previous where an undeserving film swept the night (and by this I obviously mean that year that Braveheart won a load of Oscars, beating out seriously great films such as Dead Man Walking, Babe and Apollo 13 in various categories. SERIOUSLY?! BRAVEHEART?! MEL GIBSON?! WHAT WAS THE ACADEMY DOING IN 1996 TO ALLOW THIS TO HAPPEN?!).

All in all a great Oscar ceremony, well presented by Ellen who did a great job at maintaining the energy of the show (The Oscars is a marathon, not a sprint. It isn't the brief two hours & done that the BAFTAs is!). Although I must say that the red carpet coverage on E! drives me up the bloody wall. I endured an hour this year before changing to the other coverage (that started an hour later) provided on Sky Movies itself.

Why Pretty Woman is kind of insanely dark (and exactly why I love it for that reason)

The film that made Julia Roberts into the Hollywood megastar that the world now knows her as. Pretty Woman is a staple in the romantic comedy drama, largely seen as a touch stone to the films of the same genre that followed it, and considered by many critics to be one of the most successful (both critically and financial) and important films of the genre. But to me, the film takes on an entirely different level of depth that is largely left untouched by other films of the rom-com persuasion. Pretty woman is crazy dark underneath the beautiful surroundings, the upbeat cross-over late 80's/early 90's soundtrack and the combination of the insane attractiveness of both Julia Roberts and Richard Gere. 

Incidentally, Pretty Woman was in fact originally intended to be a dark tale about prostitution (whilst still utilising the L.A setting of the finished film). The original script included the idea that Vivian would be addicted to drugs and that at one point she is confronted outside a club by a drug dealer, prompting Edward and Darryl to come to her rescue. It is also mentioned in the original screenplay that she needed money to "get to Disneyland" so her deal with Richard was that she would stay off drugs for a week in order to get the money. The film was intended to end with her and a prostitute friend on the bus to Disneyland. The character traits including drug addiction were moved from Robert's character onto "Kit", Vivian's friend.

Many actresses tried out for the leading role during the screenplays early stages, including Michelle Pfeiffer, Daryl Hannah, Meg Ryan, Winona Ryder, Molly Ringwald and Jennifer Connelly. Disney were not overly enthusiastic about the idea of Julia Roberts getting the role (which seems so ridiculous now looking back, considering after this film Julia basically ruled the box office for the 1990's, got an Oscar 10 years later & is still hugely successful to this day).

SO ANYWAY, down to what I actually wanted to say with this post. Pretty Woman kicks off, King of Wishful Thinking plays in the credits and all is well. We're introduced to Gere's character in a fairly lighthearted scene involving his ex wife. He borrows his associates car due to his limo being blocked in, and thus the chain of events that make up the rest of "Pretty Woman" begin to roll into motion.


It's not until we meet Vivian that (in my opinion) things start to get REALLY dark. Barely five minutes into the film and we see a landlord-evading Julia Roberts donning a blonde wig walking down Hollywood Boulevard at night. Her pace is slowed down by a scene involving police and onlookers. And what's the situation? Oh nothing, JUST A DEAD WOMAN. The body prostitute who worked the same street as Vivian is being removed from a dumpster whilst tourists from Orlando stand by taking pictures. The incidents in this scene are never mentioned again throughout the film, and are very likely remnants from the original "darker" screenplay that have been left in (I am intrigued to know what the original screenplay would have been like had it made it to the screen). If you look on the wikipedia page for the film, this entire segment of the opening scenes isn't even mentioned. This is the film that is a staple in Valentines day displays, grouped in with more light hearted fare such as When Harry Met Sally, Annie Hall, Love Actually & Sleepless in Seattle (which granted is another kinda dark film, but thats another blog post for another day) which is a testament to the level of denial that has been applied to the darker parts of Pretty Woman. 

We then see Kit, the friend that took Vivian in and introduced her to prostitution. We are introduced to Kit in a confrontational scene between her and Vivian, in which Vivian has found their rent money to be missing. It conspires that Kit has spent the money on drugs. The guy that provided her with the drugs informs Vivian that they intact owe him another $200 and that Vivian could possibly repay him with sexual favours (as I said, DARK AS FUCK). 


Kit and Vivian are seen as being so financially troubled that Kit relies on the fruit used to garnish drinks at the bar as her source of food.  Pretty shortly after this, Richard Gere shows up on his metaphorical white horse and gallops away with Vivian into the sunset. Sort of.

Vivian has a Cinderella-esque transformation and all her problems are solved forever right? WRONGO. Upon discovering that Vivian is in fact a prostitute, Philip (a lawyer who is seen working with Edward throughout the film) attempts to force himself on Vivian in a seriously twisted revenge fuelled attack. Of course Edward comes to her rescue, but it doesn't change the fact that this scene happened. 

Pretty Woman is a film with a much greater level of pragmatic darkness than it's "rom com" categorisation would lead anyone to expect. As I said before, I would have loved to have seen the original screenplay committed to film. Obviously with Julia & Richard still in the leading roles cause they are both very capable of such depth - Julia's done Steel Magnolias, Erin Brockovich, Oceans Eleven & most recently August: Osage County. While Richard incidentally starred in a decidedly dark escort based film of his own 9 years previous to Pretty Woman entitled "American Gigolo". Gere has also garnered critical praise for roles in Primal Fear,  Arbitrage & Days of Heaven. 

Michelle Pfeiffer in "The Fabulous Baker Boys" (1989)

One of the worst Oscar snubs of all time in my view. The best actress award at the 1990 Academy Awards really should have gone to her. Jessica Tandy does give a good performance in Driving Miss Daisy, but Michelle's performance is on an entirely different level. I think Roger Ebert said it best in his review of the film - 

"This is one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star. I cannot claim that I spotted her unique screen presence in her first movie, which, I think, was "Grease II," but certainly by the time she made "Ladyhawke" and "Tequila Sunrise" and "Dangerous Liaisons" and "Married to the Mob," something was going on. This is the movie of her flowering - not just as a beautiful woman, but as an actress with the ability to make you care about her, to make you feel what she feels. All of those qualities are here in this movie, and so is the "Makin' Whoopee" number, which I can only praise by adding it to a short list: Whatever she's doing while she performs that song isn't merely singing; it's whatever Rita Hayworth did in "Gilda" and Marilyn Monroe did in "Some Like It Hot," and I didn't want her to stop."

BAFTAs 2014

Best film

12 Years a Slave

American Hustle
Captain Phillips
Gravity
Philomena
Outstanding British film
Gravity
Mandela: Long Walk to Freedom
Philomena
Rush
Saving Mr Banks
The Selfish Giant

Actor

Chiwetel Ejiofor (12 Years a Slave)
Christian Bale (American Hustle)
Bruce Dern (Nebraska)
Leonardo DiCaprio (The Wolf of Wall Street)
Tom Hanks (Captain Phillips)

Actress


Cate Blanchett (Blue Jasmine)
Amy Adams (American Hustle)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Emma Thompson (Saving Mr Banks)

Supporting actor

Barkhad Adbi (Captain Phillips)
Daniel Bruhl (Rush)
Bradley Cooper (American Hustle)
Matt Damon (Behind the Candelabra)
Michael Fassbender (12 Years a Slave)

Supporting actress

Jennifer Lawrence (American Hustle)
Sally Hawkins (Blue Jasmine)
Lupita Nyong’o (12 Years a Slave)
Julia Roberts (August: Osage County)
Oprah Winfrey (The Butler)

Director

Alfonso Cuaron (Gravity)
Paul Greengrass (Captain Phillips)
Steve McQueen (12 Years a Slave)
David O Russell (American Hustle)
Martin Scorsese (The Wolf of Wall Street)

Adapted screenplay

Philomena
12 Years a Slave
Behind the Candelabra
Captain Phillips
The Wolf of Wall Street

Original screenplay

American Hustle
Blue Jasmine
Gravity
Inside Llewyn Davis
Nebraska

Animated film

Frozen
Despicable Me 2
Monsters University

Documentary
The Act of Killing
The Armstrong Lie
Blackfish
Tim’s Vermeer
We Steal Secrets

Foreign film

The Great Beauty
The Act of Killing
Blue is the Warmest Colour
Metro Manila
Wadjda

Cinematography

Gravity
12 Years a Slave
Captain Phillips
Inside Llewyn Davis
Nebraska

Costume design

The Great Gatsby
American Hustle
Behind the Candelabra
The Invisible Woman
Saving Mr Banks

Editing


Rush
12 Years a Slave
Captain Phillips
Gravity
The Wolf of Wall Street

Make-up and hair

American Hustle
Behind the Candelabra
The Butler
The Great Gatsby
The Hobbit: The Desolation of Smaug

Music

Gravity
12 Years a Slave
The Book Thief
Captain Phillips
Saving Mr Banks

Production design

The Great Gatsby
12 Years a Slave
American Hustle
Behind the Candelabra
Gravity

Sound
Gravity
All is Lost
Captain Phillips
Inside Llewyn Davis
Rush

Visual effects

Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek Into Darkness

Short animation

Sleeping with the Fishes
Everything I Can See From Here
I Am Tom Moody

Short film

Room 8
Island Queen
Keeping Up with the Joneses
Orbit Ever After
Sea View

Outstanding debut by a British writer, director or producer

Kieran Evans (writer-director, Kelly + Victor)
Colin Carberry, Glenn Patterson (writers, Good Vibrations)
Scott Graham (writer-director, Shell)
Kelly Marcel (writer, Saving Mr Banks)
Paul Wright. Polly Stokes (writer-director and producer, For Those in Peril)

Rising Star award

Will Poulter
Dane DeHaan
George MacKay
Lupita Nyong’o
Lea Seydoux

Summerseat Methodist Church

This is a picture from my first roll of film on my Canon EOS 300. The guy I bought it off didn't tell me there was a roll of film already in the camera so I (stupidly) opened the back up without checking.Out of 36 exposures, 7 were already used. I continued to shoot with the film and hoped for the best. The results were varied and theres around 10 images that I'm happy with, all of them heavily distorted due to me exposing the film to light. But this image in particular is my favourite. Despite the image of the graveyard being taken in broad daylight, it is incredibly dark in comparison to the image of the window that was on the film before I owned the camera. Regardless, I really like this picture and it kinda makes me want to pick up loads of rolls of cheap film and have a go at doing this again.